![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8ztlc7dBhaU2sLFKCTsdnDFoj_oJTTwnpyUWmpw8jGuzFAhjyz9EvbOV0W5MKfj-bOiL88H66hoBstesHAMnHjvY8t76_B6gthyAoEMJF76IltmPArppfKb1Ta9PZUXMxc09eV-4RZlo/s320/CRW_7392_black_B-W+copy.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXl456bQ8dIkiBNytFYkBd64m82FVz9nkCoCayWy5-Qmf4oXkbwovLYSv_s1dR5onMccE553RDocGA9V96I0UgUlDVp9LFsGpDtuSfi4o88xIStNpCcqIIaYsl7s7pPXbQrShGH_YpBXo/s320/CRW_7350_white+copy.jpg)
These are the earliest studio shots I've done, dating from the first studio class I took my junior year.
I instantly fell in love with lighting equipment and modeled this final project after the "many moods of light." Early in college, I had some cursory experience working with motion picture lighting on films by fellow students, thus began my inspiration to characterize light and make it more than just a "prop." These are the first intimations I successfully executed.
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